Detail of a totem pole at Totem Bight State Historical Park in Ketchikan, Alaska. This pole represents Raven-at-the-Head-of-Nass, from whom Raven stole daylight.
Sculptor Joan Miró’s Woman Addressing the Public: Project for a Monument guards the entrance to the Kimbell Art Museum, Fort Worth, Texas.
One of the seven Cadillacs at Amarillo, Texas’ Cadillac Ranch, stuck nose-first in mud.
Detail of Jules Lasalle’s “Taking Flight” in the City Hall Gardens of Quebec City, Quebec.
Nancy Rubins’ “Big Edge” consists of 250 small boats and sits between the Vdara Hotel & Spa and the Aria, CityCenter, Las Vegas.
Artist Richard Phillips’ controversial piece “Playboy Marfa” overlooks a matte-black 1972 Dodge Charger that sits atop a canted concrete platform as part of his collaboration with Playboy. Originally sited in Marfa, Texas, the sculptures now reside at the Dallas Contemporary.
Detail of sculptor John Henry’s 101-foot-tall “Tatlin’s Sentinel”, installed in Downtown Dallas.
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